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How to Talk to Girls at Parties
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HEROES OF "How to Talk to Girls at Parties"
How to Talk to Girls at Parties
CRITICS OF "How to Talk to Girls at Parties"
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Shadows on the Wall
Resource

May 16, 2018

Mitchell is a smart, skilled and, most importantly, ambitious filmmaker unafraid to dive into the quirkier aspects of this story.
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Irish Independent
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May 14, 2018

A dreamy young extraterrestrial (Elle Fanning) languidly greets him, and asks "how do I further access the punk?". What happens next is not edifying.
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Sunday Independent (Ireland)
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May 14, 2018

Shortbus director John Cameron Mitchell revives the cartoonish mania of that outing and applies it to what resembles a film-school project held together with papier-mache and zany indulgence.
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Daily Mail (UK)
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May 21, 2018

Gloriously bonkers, with a charming central performance from Elle Fanning.
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The New Paper (Singapore)
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May 16, 2018

An intriguing tribute to punk rock and sci-fi. It is so weird that it is pretty good.
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NPR
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May 17, 2018

A refreshing tonic against blockbusteritis.
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Slant Magazine
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May 21, 2018

The film's tagline goes "Talk to the girl. Save the world," but at no point does Earth's fate hang in the balance, and talking to Elle Fanning's Zan is no great challenge for anyone.
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AV Club
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May 22, 2018

How To Talk To Girls At Parties mostly scratches at one mildly clever idea, trying, and ultimately failing, to draw blood.
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TheWrap
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May 26, 2017

It comes off feeling more like promising studio outtake than a polished final track.
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indieWire
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May 24, 2017

How to Talk to Girls at Parties is primarily a vessel for the attitude coursing through all of Mitchell's work: Even the most outrageous behavior comes from a real place.
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RogerEbert.com
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May 18, 2018

Ultimately, How to Talk to Girls at Parties is like a hyperactive kid at a punk rock show-full of great energy and ambition, but not too sure what to do with it.
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Rolling Stone
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May 22, 2018

You feel like you were stuck in a spirit-of-'77 cosplay convention at best and a needy cult movie desperately seeking a cult at worst.
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