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High-Rise

Description
This story tells about a different drama we live through the life of a doctor who decides to move to another place. That story began when a doctor moved to a skyscraper in London. In that region, increasing tensions and class wars lead to a state of chaos that may be suffered by all. Perhaps, in the end, the life of the inhabitants of this tower begins to take another turn.
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High-Rise
CRITICS OF "High-Rise"
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Film Inquiry
Resource

February 18, 2017

High-Rise's rushed, unfocused narrative renders this more an admirable failure than a subversive cult classic in waiting.
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Daily Star
Resource

December 31, 2016

Incoherent, pretentious and painfully self-indulgent.
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MetroActive
Resource

December 31, 2016

It's one of those works of futurism that seems simultaneously very prescient in its time, and slightly dated in ours. It underscores its points with a yellow highlighter.
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Reel Talk Online
Resource

March 21, 2017

High-Rise is just about the looniest garbage I have seen in a long while.
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Laramie Movie Scope
Resource

January 15, 2017

This dystopian, apocalyptic tale of the downfall of civilization is set in a high rise apartment building. This can be viewed as a very dark comedy about how quickly society can break down, and how much fun that could be.
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Variety
Resource

May 18, 2016

It could take decades for critics and audiences to appreciate whatever genius lurks behind the chaos, but for the time being, it seems like little more than madness.
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ScreenCrush
Resource

March 16, 2017

It may be Wheatley's least accessible film to date - and also his best.
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Globe and Mail
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May 20, 2016

High-Rise switches genres effortlessly - black humour one moment, dystopic parable the next - until it becomes its own singular, horrifying, immensely captivating thing.
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New York Post
Resource

May 13, 2016

Director Ben Wheatley ("Kill List") is masterful with arresting imagery set in a dystopian spin on the '70s; less so with a compelling narrative.
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Slate
Resource

May 13, 2016

I soon found myself wanting to wash off the modernist stench of Wheatley's world. And yet it's entrancing all the same, so much so that like Laing and his fellows, I had no desire to leave the high-rise.
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Hollywood Reporter
Resource

May 18, 2016

There is a goldmine of rich material here, all beautifully shot, but fatally lacking in focus or momentum.
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Chicago Reader
Resource

May 18, 2016

No matter how much one shades the characters, though, High-Rise defies adaptation because the most vivid character is the building itself.
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