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Hello I Must Be Going
The film tells a story of a beautiful women Amy who her marriage ends in divorce. She returns her parent's house where she meets and falls for a 19-year old actor who changes her life absolutely.
19 March 1973, Manhasset, New York, USA
4 June 1961, San Diego, California, USA
3 August 1983, Hartford, Connecticut, USA
8 June 1967, Silver Spring, Maryland, USA
16 May 1977, New Plymouth, New Zealand
19 September 1975, Los Angeles, California, USA
8 December 1946, Los Angeles, California, USA
21 November 1975, Hackettstown, New Jersey, USA
3 February 1943, Philadelphia, Pennsylvania, USA
November 01, 2012
A fine and funny film balanced perfectly between heartbreak and uplift, anchored by a rich, superlative turn from Melanie Lynskey.
September 28, 2012
The film is worth seeing for the performances, but the drama is a nonstarter.
June 02, 2014
...a sincerely personal take on its subject matter, opting for three-dimensional leads and earned pathos over quirky character traits, cynical humor, or an invasively stylized visual approach.
October 02, 2012
I'm of two minds about Hello I Must Be Going. It's a slow-paced movie, and at times, too slow ... Yet the fine actors, especially the emotive-faced Melanie Lynskey and the restrained Blythe Danner, elevate the film well beyond its story line.
September 21, 2012
Succeeds almost entirely on the strength of Melanie Lynskey's heartfelt and humorous performance in the lead role.
November 03, 2012
Lynskey imbues the self-doubting Amy with such lightness that she manages to make neediness appealing.
October 18, 2012
"Hello I Must Be Going" is at once an intriguing character study and a refreshingly offbeat romance.
September 20, 2012
Sarah Koskoff's play-it-safe script and Louiso's heavy-handed direction combine to kill the potential of "Hello I Must Be Going."
September 20, 2012
Lynskey lets us see, from deep within Amy's fog, an instinctual desire to please, and a sense of innocent wonderment at how she could possibly have gotten into such a mess.
September 21, 2012
Sarah Koskoff's screenplay is flagrantly duplicitous, introducing the heroine as a self-pitying sloth, then trying to pass her off as likable by making nearly all the other characters drips, snobs, or unfeeling scolds.
October 18, 2012
The movie's sharp-tongued and softhearted, a Sundance kind of film that mostly sidesteps generic Sundanceyness.
