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Heaven and Earth
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Heaven and Earth

Description
It is the life of this woman, Lu Lei, who lived in a small Vietnamese village and may be doing well. Things are starting to get quite different when the war breaks out, as more destinations and events emerge. Now, there seems to be a real look at that woman who lived as a freedom fighter, joking, a young mother, a whore at one time, an American wife or something else.
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CREATORS OF "Heaven and Earth"
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HEROES OF "Heaven and Earth"
Heaven and Earth
CRITICS OF "Heaven and Earth"
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Spirituality and Practice
Resource

March 16, 2002

Touches the heart not only as a cross-cultural treasure but as Oliver Stone's most soulful movie.
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rec.arts.movies.reviews
Resource

January 01, 2000

I found this story moving and at times wrenching...Oliver Stone has made his best film about Vietnam.
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Austin Chronicle
Resource

November 21, 2004

What Oliver Stone has created is his Mrs. Miniver for the Vietnam era.
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rec.arts.movies.reviews
Resource

January 01, 2000

Stone has a keen directorial eye, and Heaven and Earth is usually interesting to watch.
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ReelViews
Resource

October 30, 2001

Heaven and Earth has the epic scope one would expect from a film of this magnitude, but it lacks much of the narrative strength of Stone's first two Vietnamese tales.
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Kansas City Kansan

October 16, 2004

Overblown, forgettable Oliver Stone epic.
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Newsweek
Resource

March 13, 2015

Some of the parts are undeniably gripping; what gets lost are the characters themselves.
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Chicago Sun-Times
Resource

October 30, 2001

This is the first time [Stone] has tried to place himself inside a woman's imagination, and that he succeeds so well is due partly...to an extraordinary performance by Hiep Thi Le in the leading role.
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LarsenOnFilm
Resource

September 20, 2016

...despite every intention the movie can't quite shake its American male point of view.
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Washington Post
Resource

November 16, 2001

Heaven has so many themes, ranging from Buddhist spirituality to feminism, it ends up with none.
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New York Times

June 05, 2004

Mr. Stone tells this tale vigorously, but he has the wrong cinematic vocabulary for his heroine's essentially passive experience.
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