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Harry Potter And The Half-Blood Prince
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DIRECTORS OF "Harry Potter And The Half-Blood Prince"
Harry Potter And The Half-Blood Prince
CRITICS OF "Harry Potter And The Half-Blood Prince"
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At the Movies (Australia)
Resource

June 01, 2015

I thought Rupert Grint came out of this the best of all of them.
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Paste Magazine
Resource

November 22, 2013

Not only is Harry Potter and the Half-Blood Prince an excellent translation of J.K. Rowling's addictive canon, but it's also the first entry to shine on its own devoid of its backdrop mythology.
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Toledo Blade
Resource

November 22, 2013

The movie can never shake the feeling that it's one big set-up, a meek prelude to the thrill ride to come in Deathly Hallows.
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Fort Worth Weekly
Resource

June 28, 2016

Any movie that works as a spy thriller, love story, and horror movie all at once is pretty remarkable. You might say it takes a fair amount of wizardry.
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People Magazine

November 22, 2013

Half-Blood is a sustaining visit with beloved old (if not in age) friends.
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Denver Post

July 17, 2009

With its deft handling of teen yearning and affection, Half-Blood Prince maneuvers mysteries of heart and hankering that resound in worlds magic and Muggle.
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Artforum
Resource

June 01, 2015

Mostly I love Harry Potter for the actors
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Film.com
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May 06, 2011

I think it's the best of the series, fairly easily, and a testament to why occasionally throwing a massive budget at an endeavor of this scope can be considered a reasonable decision.
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NPR
Resource

July 17, 2009

It's a more mature magic. ... Now subject to the same raging hormones as any other 16-year-olds, our spell-casting heroes are learning to brew love potions this year, with results mostly played for laughs.
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I.E. Weekly
Resource

July 16, 2009

"After all these years, I just sort of go with it," shrugs Harry Potter. Six films in, so do we.
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Chicago Reader
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July 17, 2009

Director David Yates presides over some gorgeous CGI set pieces, but all the real magic comes from the scrum of ace British character actors.
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New Yorker
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July 20, 2009

All in all, despite the verve that drives the grander set pieces, it's hard to avoid the sensation of a film toiling overtime to convince itself of its own solemnity.
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