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Halloween H20: 20 Years Later
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DIRECTORS OF "Halloween H20: 20 Years Later"
Halloween H20: 20 Years Later
CRITICS OF "Halloween H20: 20 Years Later"
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Reel Film Reviews
Resource

March 09, 2011

Unquestionably the best of the Halloween followups...
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Film Threat
Resource

December 06, 2005

Brilliant and witty. Those are two words that will not be used to described this film, nor, I suspect, its target audience.
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FulvueDrive-in.com

January 24, 2006

H2O successfully captures the foreboding mood of Carpenter's 1978 original before eventually settling for the obvious. And at 86 minutes, it's just too short.
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Georgia Straight
Resource

February 02, 2014

Too bad it's only a smidgen better than the series' first first sequel, 1981's gory Halloween II.
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Antagony & Ecstasy
Resource

August 24, 2008

It's somewhere around minute 58 - that's in a film that runs 80 minutes before credits, folks - before anything particularly interesting happens.
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Los Angeles Times
Resource

February 21, 2001

Halloween: H20 is as stylish and scary as it is ultra-violent. It brings back a stunning Jamie Lee Curtis in the role that made her a star and it's a work of superior craftsmanship in all aspects.
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Cinema Crazed
Resource

October 31, 2013

[Director] Miner is tasked with getting these characters in one setting, and he accomplishes his duty for the most part.
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Time Out
Resource

August 16, 2007

While Carpenter's film was all about economy and a skilful use of empty space, Miner's busy compositions have a cluttered feel that is echoed by superfluous orchestral music.
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Detroit News

January 01, 2000

...the film is as predictable as all the other slasher flicks that followed Halloween.
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Chicago Sun-Times
Resource

January 01, 2000

I imagined Miss Leigh telling her friends, 'They wanted me to do a cameo in the remake of Psycho, but I said, hell, I'd do Halloween: H20 before I'd lower myself to that.'
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Globe and Mail
Resource

April 12, 2002

...Steve Miner is no Carpenter.
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CNN.com
Resource

November 15, 2002

I'm currently stuck watching the revival of a movie form that appalled me the first time around, then disappeared from view after a torrent of thoughtless re-workings that resembled bloody tape loops.
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