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Get Rich Or Die Trying
This movie is based on an inner city drug dealer, who is now starting a new life following what he loves the most, rap music.
16 April 1964, Moose Jaw, Saskatchewan, Canada
11 August 1965, Saint Matthews, South Carolina, USA
26 February 1943, Poughkeepsie, New York, USA
13 February 1986, Riyadh, Saudi Arabia
1976, Managua, Nicaragua
8 April 1983, Washington, District of Columbia, USA
30 June 1982, London, England, UK
15 May 1974, San Francisco, California, USA
January 09, 2007
50 Cent dies for our sins in disappointing screen debut.
May 18, 2006
Embora limitado como ator, 50 Cent tem carisma para segurar o filme, que acaba falhando não em função do rapper, mas de seu roteiro convencional que soa como pálida imitação de 8 Mile.
June 15, 2006
Marcus sells dope. Marcus buys a gun. Marcus buys a microphone. Marcus goes to prison. Marcus gets shot. Marcus makes a movie about his life that no one goes to see.
September 01, 2009
Sheridan's surface vividness is applied around a vacuum
July 15, 2006
...a distinctly tedious piece of work.
November 09, 2005
This isn't Sheridan's most complex or richest picture, but there's lots of life to it: This is an unapologetically glossy pop product, powered by a strong, old-fashioned sense of B-movie melodrama.
March 01, 2007
People behind the movie will no doubt get rich, but it's a shame they didn't try harder to make a better picture.
November 10, 2005
50 Cent has some good moments, but other times he seems like little more than a blank slate.
November 09, 2005
Director Jim Sheridan and screenwriter Terence Winter have difficulty fashioning these events into a story that has a coherent point or purpose.
November 09, 2005
The story and action are serviceable, but there's very little spark in the wooden screen presence of the star and the dearth of subtext or style from the director.
November 10, 2005
Even more problematic is the script's clumsy, sprawling architecture, Sheridan's clubfooted sense of pacing and his grubby, indistinct visuals.
November 10, 2005
This thinly autobiographical gangsta odyssey never achieves liftoff, and Jackson is unconvincing.
