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Galveston
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HEROES OF "Galveston"
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CRITICS OF "Galveston"
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Daily Film Fix
Resource

October 18, 2018

In "Galveston," the always committed Ben Foster boosts director Mélanie Laurent's adaptation of a Nic Pizzolatto novel. It's a grim and brutal picture.
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One Guy's Opinion
Resource

October 18, 2018

A sort of modern film noir peopled by flawed figures with bleak prospects, one that offers a pervasively downbeat ambience but not much dramatic insight.
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Hollywood News
Resource

October 18, 2018

Foster delivers reliably good work here.
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Film Journal International
Resource

October 19, 2018

Laurent's film is gripping throughout. The filmmaker shrewdly frames each scene to convey the characters' loneliness and isolation without being too obvious.
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Lyles' Movie Files
Resource

October 18, 2018

An elegantly simple film that doesn't need any fancy gimmicks and thrives on the strength of its performers, script and impeccable direction.
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AV Club
Resource

October 16, 2018

Everything about Galveston is expertly realized, provided you're willing to ignore the nagging emptiness where its emotional core was meant to be.
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Mark Reviews Movies
Resource

October 18, 2018

[T]he film abandons its thriller trappings and becomes a study of how these characters -- as unlikely as the pairing may be -- need each other.
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Los Angeles Times
Resource

October 18, 2018

A muted crime drama that runs out of plot too soon, but makes up for it with powerhouse performances and a finely shaded sense of place.
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New York Magazine/Vulture
Resource

October 16, 2018

There are some late, minor twists in Galveston that suggest the movie has more on its mind than it lets on - but they ultimately don't amount to much.
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Arizona Republic
Resource

October 15, 2018

Despite its ostensive seriousness, "Galveston" is a tepid crime drama without talons sharp enough to sink into the audience.
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indieWire
Resource

October 17, 2018

The coda abruptly re-configures a tired crime saga into an altogether different kind of story, one that doesn't see redemption as something Roy might achieve for himself, but rather as something that he can give to the people who need it from him.
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New York Times
Resource

October 18, 2018

With shadowy imagery that pushes the boundaries of visibility and a mumbly lead performance from Ben Foster that strains the limits of intelligibility, "Galveston" goes past film noir and lands at film murk.
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