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Fahrenheit 451
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Fahrenheit 451
CRITICS OF "Fahrenheit 451"
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Combustible Celluloid
Resource

January 31, 2008

On the downside, it doesn't particularly feel like a Truffaut film, but on the upside, it's a decent entry in the sci-fi genre.
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Cinema em Cena

April 17, 2005

É trágico constatar que a visão de Bradbury vem tornando-se cada vez mais real: a diferença é que, em vez de queimados, os livros vêm sendo simplesmente ignorados.
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EmanuelLevy.Com
Resource

July 02, 2005

While not one of Truffaut's strongest film, it is nonetheless one of his few explicitly political works and also boasts sharp imagery by Roeg) and indelible score by Herrmann.
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LarsenOnFilm
Resource

October 29, 2010

Bradbury's 1954 vision of a totalitarian society where technology is worshiped and books are burned has been neutered and consigned to camp.
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TV Guide
Resource

June 05, 2007

A marvelously courageous personal statement that becomes more fascinating with time.
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Time Out
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January 26, 2006

An underrated film, perhaps because it is less science fiction than a tale of 'once upon a time.'
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CinePassion
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October 26, 2009

Truffaut faces Bradbury's abstractions head on, not as science-fiction but as humanistic fairy-tale
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The New Republic
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August 30, 2012

Even at the science-fiction horror-story level, the movie fails -- partly, I think, because Truffaut is too much of an artist to exploit the vulgar possibilities in the material.
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New York Times

May 20, 2003

Holy smoke! What a pretentious and pedantic production he has made.
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Quickflix
Resource

September 16, 2014

Truffaut's movie clearly suffered from a troubled shoot - Truffaut didn't actually know English - so his oddball take on the material succeeds in only fits and bursts.
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Variety
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June 05, 2007

With a serious and even terrifying theme, this excursion into science fiction has been thoughtfully directed by Francois Truffaut and there is adequate evidence of light touches to bring welcome and needed relief to a sombre and scarifying subject.
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Chicago Reader
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June 05, 2007

This 1966 film often looks good (it was Truffaut's first in color, photographed by Nicolas Roeg), but the ideas, such as they are, get lost in the meandering narrative.
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