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Don't Say a Word
Dr. Nathan Conrad is psychiatrist in New York. He seems to have a perfect life with a beautiful wife and a lovely daughter. But everything is changed strongly after his daughter is captured by ruthless crime.
9 January 1962, Columbia, Missouri, USA
5 November 1964, Amstelveen, Noord-Holland, Netherlands
1962, Baltimore, Maryland, USA
1968, Wabush, Newfoundland and Labrador, Canada
12 June 1962, USA
June 3, 1946 in Philippines
23 February 1961, San Francisco, California, USA
28 September 1992, Houston, Texas, USA
10 July 1972, Toronto, Ontario, Canada
5 November 1934, The Bronx, New York City, New York, USA
21 January 1971, Brantford, Ontario, Canada
30 October 1942, New York City, New York, USA
4 May 1984, Toronto, Ontario, Canada
25 September 1944, New Brunswick, New Jersey, USA
5 January 1969, St. Louis, Missouri, USA
11 April 1973, New York City, New York, USA
25 April 1959, Montréal, Québec, Canada
7 April 1950, Brooklyn, New York, USA
February 13, 2003
Rarely rises above the status of conventional thriller.May 30, 2002
O roteiro contém vários buracos colossais que tornam a trama ofensivamente inverossímil.June 09, 2002
Michael Douglas has to use nearly every acting trick in his arsenal to distract us from a plot that's as flimsy and fragile as a house of cards.June 13, 2006
As generic as the title suggests, this routine psychological thriller about a yuppie shrink whose daughter is kidnapped can't be saved by Michael Douglas's screen presence.January 12, 2003
Generic thriller.October 01, 2001
A well-crafted thriller that breaks no new ground but is an exciting diversion with plausible twists of logic and an exciting climax.March 19, 2003
This could have been a pretty tight little thriller if it weren't for the gaping, bleeding plot bulletholes.October 21, 2002
Fleder can only fling the camera about and indulge in some familiar screen sadism ... as he tries to squeeze a few thrills from material as desiccated as his leading man.September 28, 2001
A big, noisy mess, with a howler at its center.September 28, 2001
It's a Hollywood movie, not a good movie.October 02, 2001
As an odyssey of paternal qualm, Fleder's forgettable thriller has a convincing edge, and Douglas remains unchallenged as Hollywood's most tremulous and disquieting dad-under-pressure.October 04, 2001
In the place of consistent psychological tension, we are saddled with shoot-outs, chases, and fight scenes.