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Don McKay
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Don McKay
CRITICS OF "Don McKay"
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Q Network Film Desk
Resource

June 29, 2010

Goldberger makes the most of his eclectic, multi-Oscar-nominated cast to make up for the lack of scope and visual panache, not to mention the sometimes strained machinations of his plot
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Reeling Reviews
Resource

April 02, 2010

[Director] Greenberg's tyro script is both dark comedy and slick whodunit and all the players do it justice. He handles his material and fine cast with a deft hand that belies his freshman status.
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Boxoffice Magazine

April 06, 2010

Clearly Goldberger thinks he can juggle this delicate noirish soufflé but it all comes crashing down around him because the true nature of his characters' actions just don't make a whole lot of sense.
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Reel Film Reviews
Resource

July 31, 2011

...an almost aggressively pointless piece of work that simply isn't able to justify its very existence.
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eFilmCritic.com
Resource

April 08, 2010

The tone and the pacing always seem a little off and as a result, we become all too aware of mechanics of the screenplay grinding along towards a finale that is simply too complicated and unbelievable for its own good.
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Boston Globe
Resource

April 01, 2010

This is a movie that, if you can make it to the last 30 minutes, starts to make some sense. It seems the plot twist is the only good idea in the script.
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DVDTalk.com
Resource

July 24, 2010

Labored and distractingly uneven, Don McKay comes across as a lackadaisical film school writing assignment that somehow lucked into a feature film deal.
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Entertainment Weekly
Resource

April 07, 2010

Goldberger gets a few good tonal feints in, especially when he consults the Coen recipe book for the disorienting effect of blood (and bloody violence) on American simple folk.
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Associated Press

April 01, 2010

An admirable attempt even if the film only works spottily.
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Village Voice
Resource

March 31, 2010

A strange, largely inert indie thriller.
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New York Post
Resource

April 02, 2010

Don McKay certainly has its moments, but it never manages to maintain the consistent tone so crucial if a black comedy is going to actually be funny.
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New York Times

April 02, 2010

When you pack your movie with performers like Mr. Church, Ms. Leo, Mr. Rebhorn and Keith David (as Donâ(TM)s old friend), all with faces and deliveries that can slide easily between comedy and menace, youâ(TM)re holding a full house.
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