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Dominion: Prequel To The Exorcist
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DIRECTORS OF "Dominion: Prequel To The Exorcist"
Dominion: Prequel To The Exorcist
CRITICS OF "Dominion: Prequel To The Exorcist"
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Combustible Celluloid
Resource

May 29, 2007

I like both versions of Exorcist IV about the same... It's too bad that a clever editor couldn't have taken the best bits from both films and put them together into a co-directed, successful whole.
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Film Threat
Resource

October 26, 2005

"Dominion" isn't outright horror, and a welcome relief from the days where shots are shorter than the hairs on our heads.
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Christianity Today

September 22, 2006

After 32 years, two sequels, and two prequels, The Exorcist remains an impossible act to follow.
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Antagony & Ecstasy
Resource

June 07, 2011

I can't call it a success, but it is certainly an outstanding failure, an attempt to broaden the horizons of a stale genre with real discussion of the matters that consume its maker.
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Film Journal International
Resource

March 01, 2007

Neither a masterpiece nor a failure, it will probably appeal mostly to those with knowledge of its death and miraculous resurrection.
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Houston Chronicle

May 20, 2005

Exorcism aside, Dominion is well-acted, handsomely photographed and hauntingly scored.
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Cinema Crazed
Resource

April 29, 2009

It's true "Dominion" is a better prequel than "The Beginning", but in the end, that's not really saying much in either case.
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Variety

May 26, 2005

Schrader's intelligent, quietly subversive pic emphasizes spiritual agony over horror ecstasy, while paying occasional lip-service to the need for scares.
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Hollywood Reporter

May 20, 2005

The Schrader variation is awfully dull, with scant evidence of the sort of things that make horror movies attractive -- like mounting suspense and spine-tingling creepiness and, oh yeah, the element of horror.
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Newark Star-Ledger

May 20, 2005

To be fair, Schrader's version fails in ways that Harlin's dumbed-down version didn't.
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Slate

May 20, 2005

It's a good, thoughtful horror picture -- and thiiis close to being a very good one.
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Ebert & Roeper

May 24, 2005

The frights, the scares, they just weren't there.
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