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Daylight
CRITICS OF "Daylight"
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Boston Phoenix
Resource

September 05, 2009

Still more millennial fear and commuter angst get routed through this toll-heavy disaster vehicle set in New York's Holland Tunnel--call it The Tunneling Inferno.
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TheMovieReport.com
Resource

January 13, 2004

You know something is wrong when Stallone actually gives one of the best performances in the picture.
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Spirituality and Practice

July 25, 2005

A disaster flick about a group of New Yorkers trapped in the Holland tunnel.
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What Culture
Resource

February 10, 2011

Despite having to wade through no end of sigh-inducing clichés, Sly actually comes off better here than many of his co-stars, a rather unfortunate result of...bit-part actors who may well have been dragged off the street and paid in ham sandwiches.
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FulvueDrive-in.com

October 10, 2005

The best of the 1990s disaster-flick revivals, and certainly a solid effort by the usual standards of its star (Stallone) and its hack director (Rob Cohen).
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San Francisco Chronicle
Resource

June 18, 2002

A standard- issue disaster film that borrows conspicuously from both "Poseidon" and "The Towering Inferno."
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Cinema Crazed
Resource

April 07, 2010

This is a nineties disaster flick that deserves more attention...
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Variety
Resource

March 27, 2009

A lower-echelon disaster thriller, in which the best character is knocked off early on and the leading man runs out of ideas with a third of the picture still to go.
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Los Angeles Times
Resource

February 14, 2001

"Daylight" is persuasive in its action moments but puny in terms of character and dialogue. Anyone who expected anything else is probably in the wrong theater.
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USA Today

January 01, 2000

Though the explosion that seals off New York and New Jersey will have even curious theater concession stand crews bolting their posts, the characterizations are strictly low-cal.
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New York Times

May 20, 2003

It will seem suspenseful only to those who wonder whether Mr. Stallone can get the dog out alive.
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Time Out
Resource

January 26, 2006

Cohen keeps the vehicle cruising in fourth gear, hoping the audience won't get too impatient with the familiar scenery. Big, efficient, mindless entertainment.
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