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Burn, Witch, Burn
The film centers on a successful professor whose disastrous marriage when he uncovers that his wife uses witchcraft to help his career. He finds all the way to destroy her plan and attempts to bring her back normal life.
30 October 1924, Coalville, Leicestershire, England, UK
26 December 1934, Montreal, Quebec, Canada
2 November 1908, York, England, UK
25 May 1935, Vienna, Austria
12 July 1929, Oxford, Oxfordshire, England, UK
16 October 1902, Windsor, Berkshire, England, UK
20 May 1915, Bucklow, Cheshire, England, UK
8 April 1913, Port of Spain, Trinidad, British West Indies
23 August 1933, Marseille, Bouches-du-Rhône, France
27 April 1911, Ceylon [now Sri Lanka]
11 January 1921, London, England, UK
10 August 1918, Coolangatta, New South Wales, Australia
22 June 1920, Chicago, Illinois, USA
23 April 1921, Altoona, Pennsylvania, USA
November 05, 2003
Interesting, but uninspired version of a great horror novel, Conjure Wife.
December 06, 2005
The film is never less than gripping, and past a certain point, you have no idea where this movie is going.
May 24, 2003
Performances and tone are expertly judged and despite the odd Americanism this is a quality serving of intelligent English horror.
September 09, 2011
An odd, stylish, and completely absorbing witchcraft-in-the-suburbs oddity that puts hexes into the hands of academics and university wives.
December 09, 2003
O diretor Sidney Hayers consegue até criar um clima de suspense razoável, mas o roteiro absurdo (que, por incrível que pareça, se leva realmente a sério) anula seus esforços.
December 10, 2007
Atmospheric and underplayed in the tradition of Val Lewton.
December 10, 2007
For protection, American threater-goers were given a special pack of salt and words to an ancient incantation during the showing of this oddball, scary tale.
December 07, 2007
Probably the finest hour-and-a-half of director Sidney Hayers' long and generally undistinguished career.
September 12, 2015
The majority of Sidney Hayers' career would be spent as a journeyman director for American television -- his countless credits include Galactica 1980 and Acapulco H.E.A.T. -- but he provides the right measure of sustained menace for this impressive film.
January 26, 2006
Sidney Hayers shoots the whole thing with an almost Wellesian flourish, and the script (by Charles Beaumont and Richard Matheson) is structured with incredible tightness.
