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Bright (2017)
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Bright (2017)

Description
Set in an alternate present-day where humans, orcs, elves and fairies have been coexisting since the beginning of time, this action-thriller directed by David Ayer (Suicide Squad, End of Watch, writer of Training Day) follows two cops from very different backgrounds. Ward, a human (Will Smith), and Jakoby, an orc (Joel Edgerton), embark on a routine night patrol that will alter the future of their world as they know it. Battling both their own personal differences as well as an onslaught of enemies, they must work together to protect a young female elf and a thought-to-be-forgotten relic, which in the wrong hands could destroy everything.
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Bright (2017)
CRITICS OF "Bright (2017)"
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Irish Times
Resource

December 21, 2017

At its best, Bright offers a clever critique of racism from a world of spells and sorcery. It's complicated.
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JoBlo's Movie Emporium
Resource

December 21, 2017

... this is a bit of a mess when it comes to story and a heavy-handed attempt at offering a social message.
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Empire Magazine
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December 21, 2017

Worth watching for the sight of Will Smith beating a fairy to death with a broom, but it takes a far more sophisticated grasp of the fantasy concept to really get away with Mordor.
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Punch Drunk Critics
Resource

December 22, 2017

It's imperfect and perhaps could have been more, butBrightsuccessfully merges fantastical qualities with the cop movie clichs we know and keep coming back for.
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Vox
Resource

December 21, 2017

In the end, Bright pulls off the uncommon (and not at all admirable) hat trick of being confusing, boring, and vaguely insulting about the matters it wants to appear smart on.
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Rolling Stone
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December 21, 2017

This is what it looks like when good ideas go bad. A sequel, naturally, has already been greenlit. Go orc yourself, Hollywood.
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Hindustan Times
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December 21, 2017

Where there is a Will Smith there is a way.
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NPR
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December 21, 2017

Critics have already lined up to pillory Bright as among the year's worst releases. Don't believe the clickbait.
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New York Magazine/Vulture
Resource

December 21, 2017

Dungeons and Dragons-style fantasy, with its species-specific stats and attributes, is a pretty suspect well to draw from if you're trying to pull off some kind of modern-day race relations metaphor.
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New York Times
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December 21, 2017

The result is a loud, ungainly hybrid that does not serve police procedurals or fantasy spectaculars very well.
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Boston Globe
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December 21, 2017

... ultimately "Bright" simply lacks the screenwriting smarts to capitalize on the social commentary in its setup that it so nakedly attempts to harness.
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Entertainment Weekly
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December 21, 2017

Bills itself as part buddy-cop movie, part lavish fantasy, does neither justice, resulting in lazy nonsense that's too silly to be good and too self-serious to be any fun.
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