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Beverly Hills Cop 3
When his boss is killed, Detroit cop Alex Foley (Eddie Murphy) finds evidence that the murderer runs a counterfeit money ring out of a theme park in Los Angeles called Wonder World.
22 November 1923, Edmonton, Alberta, Canada
3 February 1948, El Paso, Texas, USA
16 March 1926, New York, New York, USA
1951
23 July 1909, St. Louis, Missouri, USA
10 June 1947, Los Angeles County, California, USA
20 November 1963, Carson City, Nevada, USA
27 January 1941, Simi Valley, California, USA
13 December 1950, Alameda, California, USA
23 December 1937, Budapest, Hungary
22 December 1951, USA
May 02, 2014
Murphy's trademark delivery is still impudently subversive, but it's too often wasted on unworthy opponents.May 02, 2014
Beverly Hills Cop III -- a movie trying to exploit what's left of a 10-year-old idea -- has some nerve satirizing Disney World's money-grubbing commercialism.May 02, 2014
The movie is like an advertisement for the 19 recently banned assault weapons.May 02, 2014
Looks like it's time for Axel Foley to hang up his Detroit Lions jacket and retire his badge and gun.May 02, 2014
Beverly Hills Cop III is resoundingly joyless.May 02, 2014
The movie... isn't nearly as fresh as the first Cop flick was. But I must admit that it's a whole lot more enjoyable than the contemptible crashathon known as Beverly Hills Cop II.May 02, 2014
Really quite awful.May 02, 2014
It's one of the most cynically engineered sequels ever.May 02, 2014
Eddie Murphy needs to shoot off his mouth. It's his best weapon, and the one that's unique to his arsenal. When a movie mostly requires him to shoot off a gun he becomes just another action star, and another talent wasted in lazily miscalculated material.May 02, 2014
Steven E. de Souza's script has Foley following a trail of murder and deception into an L. A. amusement park called WonderWorld. The director, John Landis, fails to exploit the possibilities.May 02, 2014
The mix of violence and laughs never gels, the rejoinders are snapless, the pace slack.May 02, 2014
Landis relies on routine action -- and cameos by such noted filmmakers as George Lucas, John Singleton, Martha Coolidge and others -- to hide the fact that there's no engine under his movie's hood.