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Barry Lyndon
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Barry Lyndon
CRITICS OF "Barry Lyndon"
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Daily Express (UK)
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July 31, 2016

Ryan O'Neal has the role of his career as Redmond Barry, an Irish rogue who lies, fights and sleeps his way to prominence in 18th century society.
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Independent (UK)
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July 29, 2016

Every frame of every battle scene or courtly interlude is exhaustively and exquisitely detailed.
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Sunday Times (UK)
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December 17, 2016

It's gorgeous to look at, with its reverse zooms that slowly widen to stunning rural panoramas, its beautiful framing, its delight in decorative detail. You feel you are watching a masterclass in how to recreate the look and feel of the late 18th century.
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Observer (UK)
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July 31, 2016

As leisurely as it is painterly, this is a masterclass in cinematography - famously, Kubrick used nothing but natural light in all but a few scenes. Don't miss the chance to watch it in a cinema.
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Variety
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May 08, 2007

Ryan O'Neal's excellent performance captures the shallow opportunism endemic to the title character who is brought down as much by his own flaws as by the mores of the ordered social structure of 18th-century England.
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Radio Times
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July 31, 2016

This is a period film like no other, a slow but utterly hypnotic tale of an Irish youth whose adventures and misfortunes take in the Seven Years' War, the gambling clubs of Europe and marriage into the English aristocracy.
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Time Out
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July 25, 2016

The great director's least satisfying, most disconcerting film - and that's what makes it extraordinary.
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Chicago Reader
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May 08, 2007

All of Stanley Kubrick's features look better now than when they were first released, but Barry Lyndon, which fared poorly at the box office in 1975, remains his most underrated. It may also be his greatest.
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Chicago Sun-Times
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May 08, 2007

Barry Lyndon isn't a great success, and it's not a great entertainment, but it's a great example of directorial vision: Kubrick saying he's going to make this material function as an illustration of the way he sees the world.
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Village Voice

May 23, 2007

Stanley Kubrick's magisterial Thackeray adaptation now stands as one of his greatest and most savagely ironic films, not to mention one of the few period pieces on celluloid so transporting that it seems to predate the invention of cameras.
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Time Out
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January 30, 2009

One of cinema's most heartfelt and sustained (it runs over three hours), if cynical, visions of an individual's powerlessness.
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