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Austin Powers: The Spy Who Shagged Me
Dr. Evil is back...and has invented a new time machine that allows him to go back to the 60s and steal Austin Powers's mojo, inadvertently leaving him 'shagless'.
30 July 1974, Edmonton, Alberta, Canada
10 June 1965, Basingstoke, Hampshire, England, UK
9 March 1964, Chicago, Illinois, USA
23 September 1976, Florida, USA
8 February 1949, Hong Kong
12 April 1936, Mt. Union, Kentucky, USA
16 July 1967, Irvine, California, USA
16 October 1958, West Covina, California, USA
17 August 1957, Minneapolis, Minnesota, USA
29 May 1957, London, England, UK
11 July 1953, Paterson, New Jersey, USA
20 December 1973, Napa, California, USA
20 July 1948, Alexandria, Louisiana, USA
26 July 1953, Bogota, Colombia
22 May 1946, Philadelphia, Pennsylvania, USA
July 23, 2007
It's gone from being a hip little party to being a big bash where the stars turn out.
January 29, 2003
In ways better than the original, 'The Spy Who Shagged Me' is a rehash of the same story with new cast members and new takes on familiar jokes.
June 12, 2003
By the end, Spy recycles its own gags, not just ones from the first movie.
December 22, 2010
Full of sex and bathroom humor. Not for kids.
January 07, 2005
...the people who seemed to be having the most fun at a recent screening were the 14-year-old boys giggling over the libidinous bits and the bathroom jokes.
January 01, 2000
The picture strives for comic points mostly with that excruciatingly gross potty humor and with industrial-strength sexual innuendo.
November 30, 2008
...doesn't so much try to send up other spy films as it tries to one-up its own predecessor in this second go-round.
January 01, 2000
What defeats Austin and Dr. Evil in the new movie is what brought them down the last time: Myers' inability to know what jokes need to be taken further, and what jokes should be cut short.
January 01, 2000
Too much of the new Powers looks like bad TV and sounds like old burlesque!
January 01, 2000
Myers and Michael McCullers' script just doesn't have it in terms of fresh narrative developments or individual gags.
January 01, 2000
Absent are the freshness and spontaneity that characterized the original.
January 01, 2000
Too many scenes end on a flat note!
