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Assault on Wall Street
The film revolves around a set of criminal facts that occur in the life of a man called Jim. Where he lives with his sick wife on love and happiness but suddenly, everything changes when the economy hangs, causing him to lose everything. Where he is full of anger and revenge. Jim decides to go and seek revenge for his wife's life no matter what it takes to challenge all odds.
10 June 1968, Montreal, Quebec, Canada
18 April 1956, Biloxi, Mississippi, USA
12 February 1966, Lac La Hache, British Columbia, Canada
18 September 1971, Vancouver, British Columbia, Canada
25 February 1958, Montreal, Quebec, Canada
25 January 1974, Winnipeg, Manitoba, Canada
7 March 1945, Washington, District of Columbia, USA
7 January 1976, North Vancouver, British Columbia, Canada
20 April 1959, Burbank, California, USA
12 May 1961, Newport, Kentucky, USA
17 February 1970, Wallasey, Merseyside, England, UK
25 May 1970, Vancouver, British Columbia, Canada
4 June 1956, Harlem, New York City, New York, USA
May 10, 2013
Possibly the only director on the planet who has garnered a strange recognition through utter infamy, Boll engages in a weirdly raw and rowdy subversive ideological descent into the dysfunctionally dark recesses of US culture.
February 19, 2015
It's as subtle and as silly as you would expect, with an ending that's both a rally cry and request for a sequel.
May 08, 2013
Uwe Boll's insistence on plugging genre tropes into his imagined idea of populism returns us to the same cynical place as Postal, except with none of the sizzle.
May 12, 2013
The film seems inexplicably tame, the least interesting execution of a radical concept.
October 19, 2013
Seemingly inspired by "Taxi Driver" with its security guard stand-in for Travis Bickle wasting Wall Street brokers who are arguably worse than the pimps in "Taxi Driver".
May 15, 2013
Because it wouldn't be Boll if there wasn't borderline irresponsible storytelling.
May 09, 2013
This zeitgeist-tapping revenge fantasy doesn't deliver enough guilty pleasures.
May 09, 2013
Boll spends so much time painting Jim into the corner required to "justify" his bonkers actions that once the film's fuse is irrevocably lighted, viewers may have already checked out.
