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Anomalisa
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Anomalisa

Description
Michael Stone, an author of books on the subject of customer service, is a man who is unable to interact deeply with other people. One night, while on a routine business trip, he meets a stranger who changes his mundane life.
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HEROES OF "Anomalisa"
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CRITICS OF "Anomalisa"
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Film Ireland Magazine
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January 03, 2017

The brilliant Charlie Kaufman makes a very welcome return to our screens, co-directing his own script with Duke Johnson, in this haunting and humorous stop-motion treatise on human relationships.
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MetroActive
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January 01, 2017

Touching but transitory.
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Columbus Alive
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January 01, 2017

It's weird and brilliant and heartbreaking and unlike anything you've ever seen.
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Código espagueti
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April 19, 2017

A darkly reflective film that doesn't stagnate in pessimism, a creation full of potential readings that translates into a unique visual and sonorous experience. [Full review in Spanish]
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Huffington Post
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January 01, 2017

This is the easiest of all Kaufman's projects to understand, and perhaps for that reason, just possibly the best.
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San Diego Reader
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January 15, 2016

A very fine portrait of the despair at the heart of a comfortable middle-aged white man in America circa right about now.
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Washington City Paper
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January 10, 2017

It's emotionally intense and wonderfully internal.
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Newsday
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January 29, 2016

Charlie Kaufman's animated feature is one of his best films yet, a haunting fable about the illusion of love.
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Fort Worth Star-Telegram/DFW.com
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January 14, 2016

Whether Michael Stone has really turned a corner in his life, or merely enjoyed a brief distraction from all that troubles him, is left unresolved at Anomalisa's conclusion, but this much is certain: The audience won't soon forget what it has experienced.
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Seattle Times
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January 14, 2016

Kaufman, the mind behind "Being John Malkovich" and "Eternal Sunshine of the Spotless Mind," possesses an artistic sensibility unlike any other filmmaker working today. That sensibility informs every word and frame of "Anomalisa" ...
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New Yorker
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January 18, 2016

What drives the film is a scowling suspicion that modern man is a mechanized being, created as if on an assembly line, and stripped bare of individuality-a product, like any other merchandise.
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Detroit News
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January 22, 2016

Kaufman's script stings with uncomfortable truths, but doesn't do much else. Kaufman's medium has changed but his message is still the same.
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