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Alone in Berlin
CRITICS OF "Alone in Berlin"
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Herald Sun (Australia)
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March 01, 2017

Unfortunately, the relatively sedate nature of the couple's clandestine operations is not all that cinematic, and stoic, straight-bat scripting and direction can make the film seem more dreary than it really should be.
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Sydney Morning Herald
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February 23, 2017

It's that juxtaposition -- of the hellish against the ordinary -- which gives the film its punch.
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The Australian
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March 03, 2017

This is the third feature directed by Swiss actor Perez, and though it's visually handsome it tends rather towards the bland, making what should have been a powerfully emotional story about courage and self-sacrifice rather too tasteful and muted.
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FILMINK (Australia)
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February 25, 2017

There are just no peaks and troughs, which is remarkable given the tremendously heavy content of the film.
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New York Observer
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January 18, 2017

The splendid actors ... make up for the weaknesses with performances that radiate strength and integrity.
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New Zealand Herald
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March 02, 2017

There's an underlying tension throughout, but what's missing is the heightened emotional ebb and flow that would have delivered a truly haunting story.
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Chicago Sun-Times
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February 10, 2017

When Alone in Berlin reaches the end of its journey, it's the performances of Gleeson and Thompson that ensure we'll never forget the bravery of Otto and Anna.
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New York Times
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January 12, 2017

"Alone in Berlin" proceeds like a train crossing a plain. Without twists or turns, hills or valleys, its dramatic engine chugs reliably forward, delivering its cargo of World War II tragedy with bland efficiency.
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NPR
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January 12, 2017

Perez's Berlin is too art-house-handsome, too committed to the look and feel of conventionally well-appointed historical drama.
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Los Angeles Times
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January 19, 2017

A well-acted but creaky and curiously bloodless portrait of life during wartime from the Swiss-born actor turned director Vincent Pérez.
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San Diego Reader
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February 03, 2017

Dignified to the point of absurdity, this fact-based dud never gets off the ground, thanks to director Vincent Perez's failure to create - let alone maintain - any level of suspense.
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