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Abraham Lincoln: Vampire Hunter
The real-life figure Abraham Lincoln, the 16th President of the United States, is portrayed in the film as having a secret identity as the history's greatest hunter of the undead. Abraham discovers vampires are planning to take over the United States. And it's up to him to eliminate them.
21 September 1944, Philadelphia, Pennsylvania, USA
19 June 1981, Sydney, New South Wales, Australia
26 February 1976, Chicago Heights, Illinois, USA
3 June 1949, Baltimore, Maryland, USA
21 November 1975, Hackettstown, New Jersey, USA
27 September 1957, Augusta, Georgia, USA
April 21, 2013
Rather than create an innovative style to complement the horror-history hybrid, he employs superhero clichés and hackneyed action scenes that only help distract from the ineffectiveness of the film's scant 3-D effects.
September 27, 2012
As a tongue-in-cheek action mashup, Grahame-Smith and Bekmambetov have, for the most part, delivered an entertaining (albeit campy) historical retelling.
February 12, 2013
Succeeds in being an entertaining, exciting, and chilling genre hybrid
August 26, 2015
Rare is a film this silly that's also this quietly clever.
March 04, 2013
If you thought the American Civil War was about ending slavery, you're in for a rude surprise.
June 22, 2012
The disconnect between intention and final product is a head scratcher.
August 16, 2013
Somehow, you can't help but feel vampires deserve better.
July 02, 2012
The violence quickly becomes numbing, and Benjamin Walker plays Lincoln without the sense of irony needed to keep the historical and supernatural sides of the story consistently entertaining.
June 22, 2012
Bekmambetov doesn't expect us to take the premise seriously, exactly. But he doesn't seem to want us to laugh at it, either.
June 22, 2012
Bekmambetov ... stages hilarious, imaginative, almost free-form action sequences like nobody in the business.
June 22, 2012
Of course it's ridiculous and tasteless and grotesque. It's ABRAHAM LINCOLN, VAMPIRE HUNTER.
June 24, 2012
The movie plays safe by cutting every theme down the middle - a swing that's effective when splitting wood or vampire skulls, but dull when applied to filmmaking.
