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A Night At The Opera
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A Night At The Opera

Description
This movie revolves around the life inside the opera, where Otis B. Driftwood, does his best in order to help Recardo, a talented singer, who just needs a chance to become a famous one, and who falls in love with the beautiful Rosa, but a greedy man, Lassparri, does his best in order to win her heart.
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A Night At The Opera
CRITICS OF "A Night At The Opera"
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TV Guide
Resource

June 26, 2007

Fondly remembered for such classic comedy bits as Groucho and Chico drafting a contract, the stateroom scene, and the hilarious climax where the brothers make a shambles of Il Trovatore. Sans Duck Soup, we'll watch this any day.
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Las Vegas Review-Journal

January 13, 2006

Classic, classy Marxist mayhem
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Reel Film Reviews
Resource

February 28, 2006

...generally an entertaining piece of work...
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Common Sense Media

December 21, 2010

Marx Brothers masterpiece is still hilarious.
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DVDJournal.com
Resource

April 04, 2006

[The Marx Brothers] still let the air out of stuffed shirts and barbecue a few sacred cows, but something got lost in all that MGMness when the screen's ultimate anti-authoritarian team starting working the Andy Hardy side of the street.
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Time Out
Resource

January 26, 2006

The Brothers get to perform some of their most irresistible routines.
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Cinema em Cena

March 11, 2009

Embora empalideça diante de Diabo a Quatro, melhor filme dos irmãos, traz algumas das cenas mais memoráveis da trupe, dos jogos de palavras às gags físicas.
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Variety
Resource

June 26, 2007

The backstage finish, with Harpo doing a Tarzan on the fly ropes, contains more action than the Marxes usually go in for, but it relieves the strictly verbal comedy and provides a sock exit.
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LarsenOnFilm
Resource

February 18, 2013

...Groucho's flirtation with respectability and devilish realization that it's much more rewarding to play the clown.
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The Nation
Resource

January 18, 2013

It is exciting and perfect; a sign that they have at last learned how to use every resource which Hollywood can offer them; and the simplest reason I can find for calling them funny beyond the power of words to spoil the fun.
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New York Times

March 25, 2006

The loudest and funniest screen comedy of the Winter season.
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Chicago Reader
Resource

June 26, 2007

Never was a director more aptly named than Sam Wood: his movies are redwood forests of unrelieved monotony.
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